Novation Bass Station II
Analogue Mono Synth with step sequencer and arpeggiator
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SKU: DJK14803 • EAN: 00815301000181
Special Offers When bought with this product
Product Description
The Novation Bass Station II is an analogue mono synth based on the classic original BassStation but re-worked for the 21st century. It has two filters, two oscillators plus a third sub oscillator, patch save and a fully analogue effects section. Add a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of an analogue synth that is built for bass, but capable of so much more.
Bass Station II is an analogue mono synth with a talent for bass, but a sound-engine that is versatile enough to kick out sharp leads and crisp arpeggios. It brings the best elements of the original BassStation into a brand new design with re-worked modulation, effects, filters and more; like the BassStation, but much, much bigger.
The signal path is pure analogue - including the effects section. The hardware has been laid out in modules with dedicated pots, switches, sliders and buttons for all major parameters. Critically, you can store and recall patches on Bass Station II. It comes with 64 killer factory presets, space for 64 of your own sounds on the hardware, and you can store more on your computer.
The key-mechanism consists of 25 full-sized keys that are velocity sensitive with assignable aftertouch. It has been developed as a ‘synth-action’ keyboard, where each key is individually sprung so it is light to the touch and highly responsive to the synth engine. Bass Station II is a fully class compliant MIDI device with MIDI I/O on 5 pin din ports – for connecting to other MIDI outboard – and your computer over USB.
The Bass Station II Synth Engine: A Brief Overview
Oscillators: Bass Station II is built on three analogue oscillators and a noise generator. There are two fully independent oscillators plus a sub oscillator (which is the critical component in creating rich, analogue bass sounds). Oscillators One and Two are switchable between sine, sawtooth, square and variable pulse width, and Oscillator Three - the sub osc - can be set to one or two octaves below Oscillator One. It can be square, sine or narrow pulse width, delivering the characteristically ‘fat’ bass tone.
Filters: You can select between two discrete filters - ‘Acid’ or ‘Classic’ - each with a built in overdrive for pushing filter tones from dry, to warm, to nasty! The ‘Classic’ BassStation filter can be switched between low pass, high pass and band pass at 12 or 24dB slopes. The ‘Acid’ filter is based on a diode ladder filter design that delivers a characteristically 303-esque sound that is designed to squelch!
Effects: Bass Station II has two effects (not including the filter overdrive). Analogue distortion drives circuit components to add new frequencies to the sound. Bass Station II’s Distortion function can add gentle warmth, filthy granularity and anything in between. The second effect is ‘Osc Filter Mod’ which creates a distinctive FM-type sound by using Oscillator Two to modulate the filter frequency. This is very good at crunchy, sound-mulching effects that substantially fatten up bass and lead patches.
Modulation: There are two envelope generators and two low frequency oscillators (LFOs). The first envelope is an ADSR amp envelope and the second is a mod envelope that can be used to modulate filter frequency, oscillator pitch and osc pulse width. LFO One is dedicated to pitch modulation whereas LFO Two is used to modulate osc pulse width and filter frequency. Although it looks like there are four LFO waveforms, the ‘LFO Slew’ function can be used freely to sculpt LFOs into smoother wave-shapes.
Arpeggiator and Step Sequencer: Bass Station II’s Arpeggiator and Step Sequencer are killer performance and production tools. The Arp can be directed to run through 32 different rhythmic patterns in different directions with a switchable octave range. You can also engage the Step Sequencer. Up to four sequences can be played in – with legato and rests – and played back using any one of the 32 rhythmic patterns. As well as getting ideas down quickly and programming performance sequences, this is a brilliant way to preview patches whilst you are editing your Bass Station II Analogue Mono Synthesizer.
Included software:
- Access to the Sound Collective
- Ableton Live Lite
- 4BG Loopmasters
- Free Melodics lessons
Sound Collective
Audio Damage Dubstation 2
Novation gifts Sound Collective members Audio Damage Dubstation 2 bucket brigade delay plug-in
From October 8 to December 10 2020, members of Novation’s Sound Collective community can download Audio Damage’s hugely acclaimed Dubstation 2 delay plug-in (worth $49) for free, and get a 35% discount on any instrument or effect plug-in in the Audio Damage store.
Modelling a vintage bucket brigade delay unit, Dubstation 2 centres on two independent delay lines, each with its own time setting and an optional ping-pong mode for complex, cross-fed stereo echoes. An LFO modulates the delay time, extending the plug-in’s remit into chorusing and classic analogue-style pitch modulation, and Reverse and Loop functions let you flip and perpetually cycle the delay buffer, respectively. The characteristic warm distortion for which BBD devices are known and loved is brought to bear by the Input Drive and Saturation knobs; and high- and low-cut filters are also onboard for broad-strokes frequency-shaping and live manipulation of the feedback circuit.
A bona fide modern classic, Dubstation 2 is a powerhouse dual delay for production, sound design and live performance, with a rich, old-school sound and endless creative potential.
During the same period, Sound Collective members can also take advantage of a 35% discount on any plug-in instrument or effect in the Audio Damage store, including the Continua and Quanta synths, Enso looper, Discord 4 pitchshifter, QuatroMod modulation effect and many more.
Key Features
- Accurate bucket brigade delay emulation
- Single mono or independent dual stereo delay lines with feedback circuit
- Up to 2000ms delay time, synced or unsynced
- Ping-Pong mode for cross-feedback effects
- LFO delay time modulation for chorus, pitching effects and more
- Input Drive and Saturation controls for distortion
- High Cut and Low Cut filters
- Reverse and Loop functions
- Stereo Width and dry/wet Mix controls
Sound Collective is a community hub that brings you, Novation and the most innovative software brands together. If you want to find great virtual instruments and effects, keeping up to date with the constant stream of new releases is essential, and Sound Collective makes it easy, with regular free software downloads and generous discounts on high-end plug-ins. To join Sound Collective, simply register any Novation product, then look out for a new offer every couple of months. No one else works with software manufacturers like we do to bring you inspirational tools for your next production.
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Technical Specs
Synth engine
Oscillators
Osc 1
Osc 2
Sub Osc (3)
Noise generator
Osc 1 & 2
Select between waveforms:
sine
triangle
sawtooth
square/variable pulse width
Features
Sync 1 & 2
Detune
Octave range
Pitch bend
Pitch modulation to Mod Envelope and LFO 1
Pulse width modulation to Mod Envelope and LFO 2
Sub Osc (3) which is tracked to Osc 1
Select independently between waveforms:
Sine
Square
Narrow pulse
Features
All modulation and tuning tracked to Osc 1
Independent octave select
Mixer
Osc 1 level
Osc 2 level
Sub Osc level
Noise generator level
Ring modulation depth
External signal level
Filter
Two filter types
Acid type (diode ladder filter design)
Classic type (derived from original Bass Station)
Features
Cutoff
Resonance
Overdrive
Filter frequency to Mod Envelope depth
Filter frequency to LFO 2 depth
Select 'Classic' filter between:
Low pass
Band pass
High pass
12dB slope
24dB slope
Envelopes
Two ADSR Envelopes (Attack/Decay/Sustain/Release)
Amp Envelope
Mod Envelope
Combined control of both Envelopes
Select triggering mode between:
Single trigger (holds envelope state when new note is played)
Multi trigger (re-triggers with every new note played)
Autoglide (engages portamento)
There is also a VCA limiter
LFO
Two LFOs each selectable between:
Triangle
Sawtooth
Square
Sample and hold
Both LFOs independently adjustable between rate and delay time
Key sync LFO 1 & 2
LFO slew on LFO 1& 2 (low pass filter on the LFO waveform)
Effects
Distortion send
Oscillator filter mod amount (FM effect created by Oscillator 2 modulating filter freq)
Step Sequencer/Arpeggiator
Arpeggiator
Up to 32 different patterns
Select between 1-4 octave range
Swing function
Select direction:
up
down
up / down 1
up / down 2
As played
Random
Latch (hold the arpeggiator)
Step Sequencer
Up to four sequences
Assign one of 32 preset rhythms or create your own
insert rests or legato (slide)
Sequencer re-trigger function
Portamento
Adjust glide time
Single trigger or re-trigger modes
Integrate into step sequencer and arpeggiator
Hardware & controller assignment
25 note synth-action keyboard
Aftertouch can be assigned to modulate:
Filter frequency
LFO 1to Osc pitch
Osc 2 speed
Pitch wheel
Modulation wheel can be assigned to:
LFO 2 to filter frequency
LFO 1 to Osc pitch
Osc 2 pitch
Octave up/ down buttons
64 factory presets
64 slots for user patches (and patch dump facility for storing more)
Master volume dial
Inputs and Outputs
USB MIDI (for connecting & powering Bass Station II via host computer)
Mono output on 1/4" TRS jack
Headphone output on 1/4" TRS jack
External input on 1/4" TRS jack
Sustain pedal input on 1/4" TS jack
MIDI IN / MIDI OUT ports on 5 pin din
DC power input
Switch between power off / DC powered / bus powered
